Mark Teixeira Charles the biography and his career

Mark Teixeira Charles was born April 11, 1980, in Annapolis, Maryland. Mark Teixeira Charles is a Major League Baseball player for the New York Yankees. Primarily a first baseman, is also played third base and outfield. He played college ball at Georgia Tech, Where in 2001 he won the Dick Howser Trophy as college baseball's national player of the year.

Teixeira was drafted in 2001 by the Texas Rangers and made his major league debut in 2003. In mid-2007 was traded to the Atlanta Braves and traded to the middle of 2008 in Los Angeles of Anaheim. In December 2008, accepted a contract with the Yankees. Teixeira has twice won the Gold Glove award and Silver Slugger Award.

His Career
In 2001, Teixeira re-enter the draft and was selected by the Texas Rangers with the fifth
global selection. The Philadelphia Phillies were considering drafting him with the fourth
pick Until Teixeira agent, Scott Boras, the Phillies advised against it [citation needed]. The
JD Drew looked Phillies avoid another situation of type (Drew held out and went back into the
project under the guidance Boras') and spent Teixeira (coincidentally, the Phillies used
selection the project of another product of Mt. St. Joseph High School, pitcher Gavin Floyd,
now of the Chicago White Sox). He started playing professional baseball next season. He
started the 2002 season in the Florida State League, where he hit .320 with an OPS of 1.000
in 38 games. He was then transferred to Double-A Tulsa Drillers, who batted .316 with a OPS
and hit 994 homers in 48 games ten o'clock. It turned out that 2002 would be his only season
in the minor leagues, made the Rangers' spring training in 2003.

As a rookie in 2003, Teixeira batted .259 with a .811 OPS and 26 homers. Improved these
numbers in 2004, batting .281 with an OPS of .930, 38 homers and 112 RBIs. August 17, 2004,
the corridor below the success rate for the cycle. For his accomplishments in 2005, won the
Silver Slugger Award as the best-hitting first baseman in the American League as and the Gold
Glove, which means its place as the best fielding percentage at first base American League.
Teixeira was also named to his first All-Star Game after winning the fan portion of votes
from the selection to be named the starting first baseman for his league. During the game,
Teixeira hit a home run on the right side of the plate - something he had failed to do
throughout the first half of the season. In the span of five games around the All-Star Game,
Teixeira hit five homers and 13 RBIs. He ended July with 13 homers and 30 RBIs and was named American League Player of the month. In general, Texeria, batted .301, with 43 homers and 144 RBIs in the final of the 2005 season.

Teixeira, a member of the Rangers.
In the Mother's Day, 14 May 2006, Teixeira was one of the 50 hitters who brandished a pink bat to benefit the Breast Cancer Foundation. Teixeira in the 2006 season began slowly because it
collects only nine homers before the All-Star Break. After the All-Star break, but Teixeira
was among the league leaders, and again finished with 30 homers and 100 RBIs this season.

Teixeira two years according to EC $ 15.4 million contract before the 2006 season to avoid
their first two years of arbitration. On 9 June 2007 franchise record of 507 consecutive
Teixeira game streak came to an end.

Teixeira landed awkwardly on first base after running out a grounder in a game against the
Milwaukee Brewers yesterday. The streak was the second to Miguel Tejada in the moment. The
Teixeira strained quadriceps placed on the disabled list for the second time in his career.

Tags: Baseball Player, Mark Teixeira Charles

Wilson Memorial 26, Stonewall Jackson 17

The Green Hornets held a dramatic fourth quarter rally, scoring two runs to take the 26-17 victory over the generals. Gage Staton's 1-touchdown run put the Hornets ahead to stay, while Malik Rucks added another 1-yard insurance. Stonewall Jackson has taken the lead after Dylan Dawson went from 3 yards. However, Wilson started the final period in the territory of Stonewall, thanks to a blocked punt by Jason Cappo.
Half: Wilson Memorial 13, Stonewall Jackson 10

The only scoring in the second quarter was a field goal from 37 yards Stonewall Juan Luna Guerrero, and the Green Hornets cling to a slim lead over former rival 13.10 Shenandoah District.
End 1Q: Wilson Memorial 13, Stonewall Jackson 7

The offensive has been on display for the first 12 minutes. Wilson QB Jake Bailey capped the opening drive of the season fighting for a 35 yards. Stonewall tied the game with Cole Shaffer, 10 yards, but after recovering a fumble on Green Hornet, Malik Rucks Wilson took the lead with a 17-yard scamper.

Chick fil A labor day get FREE Sandwich there

Since today is Labor Day, Chick-fil-A is giving people a FREE sandwich! You do not need to print codes or anything like that, to get your Chick-fil-A sandwich Labor Day free, just go to the nearest restaurant using the shirt of his team: "Labor Day only use your logo sports equipment to Chick-fil-A, from 10:30 am to close, and get a Chick-fil-A Sandwich original.

What are you waiting for! It's time to show everyone that you are proud of their favorite team - and get a sandwich too.

Tags : Food, Chick fil A labor day

All About Television Program and its Description

A television program (USA), television programme (in most Commonwealth countries and Ireland), or television show (USA/UK) is something that people watch on television. It may be a one-off broadcast or part of a periodically recurring television series.

A television series that is intended to be broadcast a finite number of episodes is usually called a miniseries or serial (although the latter term also has other meanings). A short run lasting less than a year is known in North America as a season and in the United Kingdom and the Republic of Ireland as a series. This season or series usually consists of 6–26 installments in the USA, but in the UK there is no defined length. U.S. industry practice tends to favor longer seasons than those of some other countries.

A single instance of a program is called an episode, although particularly in the USA this is sometimes also called a "show" or "program", and in Great Britain and Ireland a "programme". A one-off broadcast may, again particularly in the USA and USA-influenced countries, be called a "special", or particularly in the UK a "special episode". A television movie or in the UK a television film ("made-for-TV" movie) is a film that is initially broadcast on television rather than being released in cinemas or direct-to-video, although many successful television movies are later released on DVD.

Today, advertisements play a role in most television programming, such that each hour of programming can contain up to 15 minutes of advertisements in some countries. By contrast, being publicly funded, the BBC in the United Kingdom does not run advertisements, except to trail its own programmes. Its promotions appear between and near the end of programmes but not in the middle of them, much like the Public Broadcasting Service (PBS) in the United States and the Australian Broadcasting Corporation (ABC) in Australia. The number of commercial interruptions can also vary, for instance Japanese television tends to prefer fewer and longer commercial breaks while American television has several spread throughout the program. This has an impact on the writing of the show; in order to provide a smooth transition as well as keep the audience from switching channels.

Program content
The content of television programs may be factual, as in documentaries, news, and reality television, or fictional as in comedy and drama. It may be topical as in the case of news and some made-for-television movies or historical as in the case of such documentaries or fictional series. It may be primarily instructional as in the case of educational programming, or entertaining as is the case in situation comedy, reality TV, or game shows, or for income as advertisements.

A drama program usually features a set of actors in a somewhat familiar setting. The program follows their lives and their adventures. Many shows, especially before the 1980s, maintained a status quo where the main characters and the premise changed little. If some change happened to the characters lives during the episode, it was usually undone by the end. (Because of this, the episodes could usually be watched in any order.) Since the 1980s, there are many series that feature progressive change to the plot, the characters, or both.

Common TV program periods include regular broadcasts (like TV news), TV series (usually seasonal and ongoing with a duration of only a few episodes to many seasons), or TV miniseries which is an extended film, usually with a small pre-determined number of episodes and a set plot and timeline. Miniseries usually range from about 3 to 10 hours in length, though critics often complain when programs hit the short end of that range and are still marketed as "minis." In the UK, the term "miniseries" is only usually used in references to imported programmes, and such short-run series are usually called "serials".

Older American television shows began with a Pilot title sequence, showed opening credits at the bottom of the screen during the beginning of the show, and included closing credits at the end of the show. However, beginning in the 1990s some shows began with a "cold open," followed by a title sequence and a commercial break. Many serialistic shows begin with a "Previously on..." (such as 24) introduction before the teaser. And, to save time, some shows omit the title sequence altogether, folding the names normally featured there into the opening credits. The title sequence has not been completely eliminated, however, as many major television series still use them in 2009.

While television series appearing on TV networks are usually commissioned by the networks themselves, their producers earn greater revenue when the program is sold into syndication. With the rise of the DVD home video format, box sets containing entire seasons or the complete run of a program have become a significant revenue source as well. Many of the prime-time comedy shows and Saturday morning cartoons will be digitally remastered for United States television around mid-May 2008, as there will be more original and re-issued DVD sets of television programs containing either entire seasons or complete series runs to come in the future.


United States
A person decides to create a new television series. The show's creator develops the show's elements, consisting of the concept, the characters, the crew, and various actors (in some cases, "big-name" actors). They will then offer ("pitch") it to the various television networks in an attempt to find one that is interested in the series and order a prototype first episode of the series, known as a pilot .

To create the pilot, the structure and team of the whole series needs to be put together. If the network likes the pilot, they will "pick up" the show for their next season (UK: series). Sometimes they'll save it for "midseason" or request re-writes and further review (known in the industry as "Development hell"). And other times they'll pass entirely, leaving the show's creator forced to "shop it around"' to other networks. Many shows never make it past the pilot stage.

If the show is picked up, a "run" of episodes is ordered. Usually only 13 episodes are ordered at first, although a series will typically last for at least 22 episodes (the last nine episodes sometimes being known as the "back nine", borrowing a term from golf).

The show hires a "stable" of writers, who usually work in parallel: the first writer works on the first episode, the second on the second episode, and so forth. When all of the writers have been used, the assignment of episodes continues starting with the first writer again. On other shows, however, the writers work as a team. Sometimes they will develop story ideas individually, and pitch them to the show's creator, who then folds them together into a script and rewrites them.


United Kingdom
In contrast to the US model illustrated above, the UK procedure is operated on a sometimes similar, but much smaller scale.

The method of "team writing" is employed on some longer dramatic series (usually running up to a maximum of around 13 episodes). The idea for such a programme may be generated "in-house" by one of the networks; it could originate from an independent production company; it will sometimes be a product of both. For example, the BBC's long-running soap opera EastEnders is wholly a BBC production, whereas its popular drama Life on Mars was developed by Kudos in association with the broadcaster.

However, there are still a significant number of programmes (usually sitcoms) that are built around just one or two writers and a small, close-knit production team. These are "pitched" in the traditional way, but since the creator(s) will handle all the writing requirements, there will be a run of six or seven episodes per series once approval has been given. Many of the most popular British comedies have been made this way, including Monty Python's Flying Circus (albeit with an exclusive team of six writer-performers), Fawlty Towers, Blackadder and The Office.

Production
The executive producer, often the show's creator, is in charge of running the show. They pick crew and cast (subject to approval by the network), approve and often write series plots, and sometimes write and direct major episodes. Various other producers help to ensure that the show always runs smoothly.

As with films or other media production, production of an individual episode can be divided into three parts:

Pre-production

Pre-production begins when a script is approved. A director is chosen to plan the episode's final look.

Pre-production tasks include storyboarding, construction of sets, props, and costumes, casting guest stars, budgeting, acquiring resources like lighting, special effects, stunts, etc. Once the show is planned, it must then be scheduled; scenes are often filmed out of sequence, guest actors or even regulars may only be available at certain times. Sometimes the principal photography of different episodes must be done at the same time, complicating the schedule (a guest star might shoot scenes from two episodes on the same afternoon). Complex scenes are translated from storyboard to animatics to further clarify the action. Scripts are adjusted to meet altering requirements.

Some shows have a small stable of directors, but also usually rely on outside directors. Given the time constraints of broadcasting, a single show might have two or three episodes in pre-production, one or two episodes in principal photography, and a few more in various stages of post-production. The task of directing is complex enough that a single director can usually not work on more than one show at a time, hence the need for multiple directors.

Principal photography

Principal photography is the actual filming of the episode. Director, actors and crew will gather at soundstages or on location to film a scene. A scene is further divided into shots, which should be planned during pre-production. Depending on scheduling, a scene may be shot not in the chronological order of the story. Conversations may be filmed twice from different angles, often using stand-ins, so one actor might perform all their lines in one set of shots, and then the other side of the conversation will be filmed from the opposite perspective. In order to complete a production on time, a second unit may be filming a different scene on another set or location at the same time, using a different set of actors, an assistant director, and a second unit crew. A director of photography supervises the lighting of each shot to ensure consistency.

Post production

Once principal photography is complete, producers coordinate post-production tasks. Visual and digital effects are added to the film; this is often outsourced to companies specializing in these areas. Often music is performed with the conductor using the film as a time reference (other musical elements may be previously recorded). An editor cuts the various pieces of film together, adds the musical score and effects, determines scene transitions, and assembles the completed show.

Distribution

The show is then turned over to the network, which sends it out to its affiliates, which broadcast it in the specified timeslot. If the Nielsen Ratings are good, the show is kept alive as long as possible. If not, the show is usually cancelled. The show's creators are then left to shop around remaining episodes, and the possibility of future episodes, to other networks. On especially successful series, the producers sometimes call a halt to a series on their own like The Cosby Show and "M*A*S*H" and end it with a concluding episode which sometimes is a big production called a series finale.

On some occasions, a series which has not attracted particularly high ratings and been cancelled can be given a reprieve if DVD sales have been particularly strong. This has happened in the cases of Family Guy in the US and Peep Show in the UK.

If the show is popular or lucrative, and a number of episodes (usually 100 episodes or more) are made, it goes into syndication (in the USA) where broadcast rights are then resold.


Seasons/series

The terminology used to define a set of episodes produced by a television series varies from country to country.

In North America and Australia, the term used to describe a regular run of episodes is a television season or simply, season. For example, a season of a television series might consist of 20–26 episodes broadcast regularly between September and May with a hiatus during the (Christmas/New Year's Eve) holidays. Alternatively, it may comprise 20–26 consecutive episodes between September and December or January and May. The latter is often referred to as a "non-stop season", which are usually used for serial television series (e.g., 24 and Lost). Another example might be a series that airs only a 6–13 episode season during the summer.

In the United Kingdom, on the ABC in Australia and in other countries, these sets of episodes are referred to as a series.

In the United States, most regular television series have 20 to 26 episodes per season. In general, dramas usually last 44 minutes (an hour with advertisements), while sitcoms last 22 (30 with advertisements). However, with the rise of cable networks, especially pay ones, series and episode lengths have been changing. Cable networks usually feature seasons lasting around thirteen episodes (e.g. The Sopranos from HBO, with 12- to 13-episode seasons). Many British series have significantly shorter runs, particularly sitcoms such as The Office, Extras and Peep Show, which feature six episodes per series (see below). This may be related to the fact that many British shows are written by a single writer or writing team, unlike some US shows. However, even British shows which do have multiple writers have tended toward shorter series in recent years. For example, the first series of long-running sci-fi series Doctor Who in 1963 featured 42 x 25-minute episodes, which had been reduced, gradually, to 14 x 25-minute episodes in 1989. The revival of Doctor Who has comprised 13 x 45-minute installments. Recently, American non-cable networks have also begun to experiment with shorter seasons for some programs, particularly reality shows such as Survivor. However, they often air two seasons per year, resulting in roughly the same number of episodes per year as a drama.

This is a reduction from the 1950s, in which many American shows (e.g., The Twilight Zone) had between 29 to 39 episodes per season. Actual storytelling time within a commercial television hour has also gradually reduced over the years, from 50 minutes out of every 60 in the early days down to the current 44 (and, on some networks, less) in the 2000s.

The Japanese have sometimes subdivided television series and dramas into kūru (クール?), from the French term "cours" for "course", which is a 3-month period usually of 13 episodes. Each kūru generally has its own opening and ending image sequence and song, recordings of which are often sold. The number of episodes permitted per season ranges from 3 to 65. (See also Japanese television programs.

Source : Wikipedia

Tags : References, TV Program

Kristin Chenoweth as Olive Snook in Pushing Daisies (2007 - 2009)

Pushing Daisies is an American television comedy-drama created by Bryan Fuller that aired on ABC for two seasons. Touted as a "forensic fairy tale", Pushing Daisies centers around a pie-maker with the ability to bring the dead back to life with minor stipulations.[2] The final three episodes aired on ABC on successive Saturdays at 10:00 PM Eastern/9:00 PM Central, starting Saturday, May 30, 2009,[3] having already aired elsewhere around the world.

The Synopsis of Pushing Daisies is A man who has the power to bring the dead back to life with the touch of his hand - unless he touches them again, at which point they return permanently to death - works with a private detective to query murder victims about who killed them. He finds himself in trouble when he revives a deceased woman who turns out to be his childhood love.

Tags : TV Program, Comedy, Drama, Romance, Fantasy, Crime, Musical